Dissociation

Stop that grasping,

and just let it go.

I don’t exist,

and never have.

This body, this mind,

these cells of bone, muscle, nerves and skin.

I am an illusion,

emerging from a neural network,

unifying through gross abstraction,

these multiple, interacting, embedded parts.

I am and I am not.

I am here, but I am elsewhere.

I feel anger, but simultaneous joy; pessimism and optimism; strength and weakness. I am both heavy and light.

These are no mere metaphors,

turns of phrase,

figures of speech.

In no way am I speaking in analogy; it is not as if I don’t exist; it is not as if I am multiple yet one; it is not as if I speak to myself across infinitesimal chasms in my mind.

‘I’ and ‘me’ and ‘myself’, as descriptors, do not suffice.

There exists no single point, no central hub, no captain’s chair, where I take the helm and direct the show. But instead, there is system and sub-system feeding into itself and into the other; system within system of inter-networked biochemistry and electrical spikes. The sense, the illusion of self emerging from this near infinite complexity and potential.

Stop that grasping, that clinging, that clutching, that hoarding;

Stop that pining, that longing, that needing, that demanding;

Stop that storytelling, that narrating, that ascribing, that moralizing;

and let the illusion go.

Words do not suffice.

Let it go.

 

Lyrics #3 – Goner – by Twenty One Pilots

Check song out here.
Goner
I’m a goner
Somebody catch my breath
I’m a goner
Somebody catch my breath
I wanna be known by you
I wanna be known by you
I’m a goner
Somebody catch my breath
I’m a goner
Somebody catch my breath
I wanna be known by you
I wanna be known by you
Though I’m weak
Beaten down
I’ll slip away
Into the sound
The ghost of you
Is close to me
I’m inside out
You’re underneath
I’ve got two faces
Blurry’s the one I’m not
I’ve got two faces
Blurry’s the one I’m not
I need your help to
Take him out
I need your help to
Take him out
Though I’m weak
And beaten down
I’ll slip away
Into the sound
The ghost of you
Is close to me
I’m inside out
You’re underneath
Though I’m weak
And beaten down
I’ll slip away
Into the sound
The ghost of you
Is close to me
I’m inside out
You’re underneath
Don’t let me be gone
Don’t let me be gone
Don’t let me be gone
Don’t let me be gone
Don’t let me be!
Don’t let me be!
Ah
Yeah
I’m a goner
Somebody catch my breath
I’m a goner
Somebody catch my breath
I wanna be known by you
I wanna be known by you

How to end a conversation before it begins

‘How are you?’ ‘How are you?’ she said.

In a floating transitional state, waiting for the cosmos to give me the sign. Where are my legs? And gravity?

In a hyper-(ir)rational state. Am I sure of my arithmetic? Who says the world is logical? Logic to prove logic seems, well, ill-logical.

I am tense. But that is not my tension. My muscles vibrate with anxious intent. But they are not controlled by me. My hair is thick (yet thinning on top). But that hair crowns another man’s scalp.


Through the windows of the eyes, in the place where a soul might be, staring back in the mirror, something unborn, non-existent, flickers. Possessing a living host, it digs a tiny hollow, one fingernail scraping at a time. Piece by agonizing piece it widens its enclosure, allowing fresh air and light to fill the concave spaces around it.

As the cocoon about shudders and frets and lurches this way and that, the weightless non-entity bounces and spins freely in padded enclosures, thick organic walls of muscle and bone, pliable, absorbing the shocks of a chaotic existence.


‘How are you?’ ‘How are you?’ she said.

‘Oh, me, well I’m fine,’ would have been the reply, the sound carried reflexively up the throat, rolling over the tongue, out the lying mouth.

A colossal misunderstanding, and we both must be excused. In this universe the laws of arithmetic don’t always hold; but how could she have known? And I am tired of lies.

‘Oh, me, well I don’t exist. But thanks for asking.’

Ego metamorphosis

Trapped in this skin,

A developed presence trying to break free,

From the lower back, up along the edges of the spine, over and around the middle of the head: a pulling, wrenching pressure.

Something long dormant has awoken,

Cracking the thick, drying skin,

Snapping the taught sinew and corded muscle,

Breaking brittle bone, relieving tension.

Emerging, curled up, soft and rumpled folds;

A new body, a fresh wisdom and refined ego, stretching and extending, filling this old space with something new, hungry and invigorated.

The fortress nursery

I am a play-acting leader wandering aimlessly,

Trudging up and down each ridge and valley,

Marching headstrong on twisted paths unknowing;

Eager to say ‘Here is the way, follow me.’

 

I set off young, ill-equipped, and eagerly,

To a distant snow-capped peak I aimed to journey,

Heavy burdensome pack filled to overflowing;

Doubt, inexperience, arrogant insecurity.

 

In each palm five tiny digits clasped firmly,

My delightful, loving, innocent responsibility,

Yet cradled deep within another growing;

Swaddled in armoured layers deceptively.

 

I now know I am the king of a fortress nursery,

Revealed to me by their lips curled mockingly,

To veiled contempt, through muffled laughter owing;

They all scorn the child I refused to see.

 

Now too great the burden’s intensity,

A suffocating pack and no hands free,

Foundation’s cracked, there is no more going;

Deep within a child cries desperately.

 

In this storm of clear and urgent necessity,

Heed those mocking faces – growth requires honesty –

King’s garments stripped as the tempest continues blowing;

I, reborn and naked before you, stand awkwardly.

 

 

 

 

 

 

On the way stooped a little woman

On the way stooped a little woman. The path now paved with symmetric stone. There she stood with grey hair flowing, watching dancing shadows on her hand. On the way grew blades of grass. A symbol of life between the cracks.

For ever, for none, the shadows danced; of swaying leaves, and wisps of hair; of branches and blades of grass.

The shadows danced.

Of ancient walks, and cracking hands, and death. Death of a lovely girl, who once walked this path. Alone. When the grass was always green, and young, and free. When the skin of the earth was fresh, and vibrated with harmonious chords through her body.

Now – death. And cold. And smiling lips of sagging flesh.

Slowly, carefully, she kneels down and plucks a blade. Stabs it deeply into her cracked chest. Upon her bloodless palm shadows change: the green knife catching the gentle breeze.